Photo
jennathings:

Tristan and Isolde
Oil on gessoed illustration board, 21”x13”
Unvarnished, and not a great photo, but done! Aaa! I am so proud of this piece it scares me a little.

Hello I am reblogging myself because I uploaded the newer, significantly better photo of the painting and I actually do want this version to get seen!

jennathings:

Tristan and Isolde

Oil on gessoed illustration board, 21”x13”

Unvarnished, and not a great photo, but done! Aaa! I am so proud of this piece it scares me a little.

Hello I am reblogging myself because I uploaded the newer, significantly better photo of the painting and I actually do want this version to get seen!

Photo
Tristan and Isolde
Oil on gessoed illustration board, 21”x13”
Unvarnished, and not a great photo, but done! Aaa! I am so proud of this piece it scares me a little.

Tristan and Isolde

Oil on gessoed illustration board, 21”x13”

Unvarnished, and not a great photo, but done! Aaa! I am so proud of this piece it scares me a little.

Photo
An IMC classmate. Guys I can’t even. THIS IS BALLPOINT PEN. I watched her work a few times and yeah, it’s actually that insane in real life.
Rebecca Yanovskaya
http://www.rebeccayanovskaya.com/
http://ballpointheaven.blogspot.com/

An IMC classmate. Guys I can’t even. THIS IS BALLPOINT PEN. I watched her work a few times and yeah, it’s actually that insane in real life.

Rebecca Yanovskaya

http://www.rebeccayanovskaya.com/

http://ballpointheaven.blogspot.com/

Photoset

Thomas Ehretsman

Photo
Oil on illustration board, 21.5”x16”
This painting was… hard. It was too big in my head to see, and I didn’t know how to do what I knew needed to be done. I was just about ready to give up on it when it snapped into place with one of those resounding mental clicks you don’t get too often, and from there it just flowed.
I like this painting.

Oil on illustration board, 21.5”x16”

This painting was… hard. It was too big in my head to see, and I didn’t know how to do what I knew needed to be done. I was just about ready to give up on it when it snapped into place with one of those resounding mental clicks you don’t get too often, and from there it just flowed.

I like this painting.

Photo
I’m so happy with this painting.
(Not quite sure about the color balance. We’ll see.)

I’m so happy with this painting.

(Not quite sure about the color balance. We’ll see.)

Photo
Hey Tumblr, have a new painting.
Oil on 8”x10” gessoed masonite.
(it’s special because I have no actual opinion on it. the strongest feeling I can muster is pride over the tree, but beside that this is overall a pretty thoroughly alright piece of art, the end.)

Hey Tumblr, have a new painting.

Oil on 8”x10” gessoed masonite.

(it’s special because I have no actual opinion on it. the strongest feeling I can muster is pride over the tree, but beside that this is overall a pretty thoroughly alright piece of art, the end.)

Photo
Ink and Steel, my version of the cover for the novel of the same title by Elizabeth Bear.
Oil on gessoed board, 12”x18”
Hey there, dreamy Will, who’re you dreaming of?

Ink and Steel, my version of the cover for the novel of the same title by Elizabeth Bear.

Oil on gessoed board, 12”x18”

Hey there, dreamy Will, who’re you dreaming of?

Photoset

So Chris Rahn very graciously just answered an email I sent him, and gave me some really good critique and some equally really encouraging/flattering compliments (even if I don’t really believe him - “kind of a Donato vibe starting to happen”, hahaha, sure, but thank you all the same~).

Here’s some of his beautiful art. One day I will have stared at these long enough to learn how to color palette/compose/paint!

(Source: rahnart.com)

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Technically a preparatory drawing for the painting. It, ah… sort of got away from me?
(the snake isn’t supposed to look so mean/threatening)

Technically a preparatory drawing for the painting. It, ah… sort of got away from me?

(the snake isn’t supposed to look so mean/threatening)